Showing posts with label Robert Deniro. Show all posts
Showing posts with label Robert Deniro. Show all posts

Friday, February 25, 2011

Playlist: Stone


When discussing a prospect in sports, scouts often refer to the player's floor and ceiling. The better the player the higher the ceiling for their potential success. If the player has a health risk or is still very young, their floor is also low, as in there's a good chance they might never even make it. Weighing these risks is the heart of player development and goes a long way to deciding the fate of your favorite franchise.

Average players, the necessary filler guys who allow you to field a full team, are generally low ceiling, high floor. Keep your expectations in check because what you see is what you get. Stone has nothing to do with sports, but I couldn't help feeling that I was watching a film with a low ceiling. It's a small story without much promise of being more than what it presents in its first half. I wasn't in the least bit surprised to discover that it was originally conceived as a play. 

None of which is to say it was bad. Actually, I'm not really sure if it's a plus or a minus in the ultimate Distillery sense of things (not that director John Curran is anywhere near the front of the Big D queue). I admit I lost interest during some of the slower scenes, particularly when it became apparent that nothing "bigger" was going to happen. I do think movies need that extra something. Not a car chase or an explosion, but some bump up in tension. 



The actors, though, are in top form. Robert DeNiro does his best work in a decade, probably since The Score, also not about sports, but also with...Ed Norton, who plays a white trash con trying to get parole. For the record, Ed Norton should not be playing a white trash con, especially one with corn rows. He's just too Ed Nortonish, too smart-looking. But he committed and I stopped being bothered by it by mid-movie (though seeing him in prison made me think of American History X.) Finally, stealing the movie from these two titans is none other than Milla Jovovich, getting the chance to show off some thespianic chops after years of kicking ass on screen. As I've mentioned before, I'm a fan, and not just because she's gorgeous (a word that feels oddly outdated to use, but also seems to fit perfectly). That said, let's just leave it with how it's a shame her nipples didn't receive some sort of Academy recognition this year. Travesty.  

Wednesday, July 14, 2010

Final Playlist: Righteous Kill

In the old days we got 1974...a fade in and fade out...two film images of Deniro as Vito and Pacino as Micheal, from The Godfather II...years went by with speculation...will these two titans of the screen ever do a movie together...of course we eventually got it, in the right amount but it was still a tease in HEAT...they had 2 scenes together...a dinner and the last shot of the film where Al guns down Bobby...what a great film that was...years go by...and now unfortunately Al is 70 years old and Bobby is closing in on 68...so a few years ago they make Righteous Kill...it's terrible, of course, as I have made it clear in way too many posts...the end is...spoiler...but I don't care...the reverse of HEAT...I mean how weak is that..it literally has lights like the end of heat and they hold hands...Bobby shoots Al...

What else...why couldn't we get some more films out of these guys...I always respected Al a little more because he was in films less then Bobby...Bobby's best roles may be better...but Bobby has a lot of stinkers...the next rumor is a possible Bobby and Al team-up for Scorsese in a Frank Sinatra Bio-pic...Al would play Frank and Bobby would play Dean...as old men I guess...I am all for it...I just see Righteous Kill as a film based on the fact that we have Bobby and Al...and not 2 great actors...I mean why not have them as just actors acting...and not "Look, its Al and Bobby"



I will never watch this film again probably...I will watch HEAT many more times. Don't watch this film...maybe watch Taxi Driver and Scarface at the same time.

Here: I almost distilled these two for you...I'd like to distill the director and screenwriter of Righteous Kill in a BLENDER

Almost Done Playlist3: Righteous Kill

OK...so we could see the twist coming from the opening scene...this movie is like (spoiler, I think)...like if Kevin Spacey was Brad Pitt's partner in Se7en...I mean I really think that 1 statement was how the idea for this movie was started and how it was pitched.

1. The end scene with DeNiro and Pacino is actually pretty good...not at good as Heat...but worth fast forwarding to.

2. DeNiro actually is a character and not sleepwalking through it...he acts well in it...better then I thought.

3. Pacino, is ok...but both together are not great or even good till the end

4. I have 14 minutes left of the film.

Tuesday, July 13, 2010

Kinda Playlist: Righteous Kill

This is excruciating...I know...I have known who the killer in this film is...all the clues are laid out...and it's killing me to watch two of my favorite actors go through this film...Who the heck is Jon Avent and why does he think he is David Fincher?...The killer says he is the killer...why O why lord have you forsaken Bobby and Al to this?...I continue to watch...the good thing is that Carla Gugino is in this and she is hot...she played Bobby D's daughter in some film a few years back (This Boys Life)...and now in this film he is ploughing her fields from behind...if you get my drift.

Sunday, June 20, 2010

Playlist: The Godfather Part II

Micheal Corleone is a bad Father:

On this "Fathers Day"...I got breakfast cooked for me...then my children had a pillow, blanket and a remote control on the couch. Tucked between the remote and the blanket was the Godfather DVD set...so I got to watch the Godfather Part II today.

What a great gift...in the morning, no interruptions...just this film that I have as the best film of 1974 and probably in my top 5 films of all time.

I haven't seen this full and uninterrupted in a long time. It holds up great, but a few observations.

1. "Keep your friends close but your enemies closer"...Micheal doesn't really know who tried to kill him early in the film...he tries to smoke out the rats through telling Tom Hagen, Hymen Roth, and Frankie Pantangelo all someone else "did it"...until Fredo...freaking Fredo makes the mistake of saying the wrong thing in front of Micheal...

2. Its all Pacino....sure DeNiro is in it...DuVall really has a small role as does Diane Keaton

3. Pacino never smiles and is never happy...not once

4. I miss Bruno Kirby

5. I think only 4 people die...wait maybe 5

6. Coppola tried to get Brando to reprise the role as Godfather in a flash back scene..he refused, which then gives us the picture above.

7. If it wasn't for the flash back DeNiro and Little boy coming to America scenes..this film is a downer...great...but a downer, revenge thriller...I have never seen the "Saga" version that just plays out in chronology all 3 films...but it would be interesting.

Friday, April 9, 2010

Lifetime Movies: 1974

Coming in later than our beloved Franco...let's get it out of the way and say that the easy choice, and the right choice, is Godfather Part II. Sure it's a no-brainer, but what about why it works..the great acting, the timeless tale, the morality play. Then there are the great actors...the saddest casting choice still is that FFC (Coppola) could not get Robert DuVall to be in The Godfather III...in my mind this would have led him to not focus on his sister and daughter so much in the failed last film of this great saga.

Also...I gotta say that this really was FFC's year, The Conversation also came out--this is a hidden classic, and FFC's last film to be written as an original script till last year's Tetro. Being that GF II is the first in this series lets also get straight that there was no way that Frank or I saw this as infants. I must have been 7 before I saw this film...it was always there, always a part of my life as a kid..the best memories must be reading the Italian and seeing DeNiro as my hero.

Other films that get a nod in 1974 are as follows with comments:

Benji: my first film I ever saw, it was in a church basement in Brooklyn

Godzilla v Mechagodzilla: funny I would have picked this to be made earlier, I loved all Godzilla films as a kid and loved the fact that all other ideas had failed and the Japanese had to resort to building a Mecha- version of Godzilla to defeat him

The Lords of Flatbush: this film is probably terrible...but as a kid from Brooklyn, you have to pay attention to films that specify your hometown, not to mention it features Stallone and the Fonz

A few other thoughts: There was a lot of crap this year, that's 1974...and it goes to show you, every year there is a lot of crap. It's our job to DISTILL it for you.

Monday, March 1, 2010

Playlist: Big Fan & Staten Island

Move over, Bollywood (or at least Williamsburg) there's a new hipster mecca: a little island named Staten (or Staaten Eylandt for our Dutch readers). It's the rise of Shaolin Cinema. Two recent indie films were not only filmed on the borough, but actually take place there. Really. While Big Fan and, yes, Staten Island, aren't necessarily Hard Eight or Reservoir Dogs, they're what we in the business like to call "a start". And while it pains me to admit there are similarities to the over-filmed Brooklyn--and godforgiveme, the Jersey Shore--the Island has a wealth of cultural nuances all its own. The psychic underpinnings of being the "forgotten borough" alone would make a showcase historical drama. So it goes.

As for the films we do have, my biggest gripe about James DeMonaco's wittier than expected Staten Island is that there isn't enough Staten Island. When you make such an overt point of establishing a setting, you have to make that place a character in itself. Yes, it's not New Orleans or Paris, but cinematically speaking, it is an exotic locale that should be used to the director's advantage. (For more on this movie and Italian-Americans, check out what my fellow Malter, Vin, has to say.)

Big Fan does a better job of utilizing the Island, in particular a certain mindset that is instantly familiar to anyone who grew up there. It's a small movie, but it comes across as real, a subtle character study that reminded me in tone of The Wrestler which makes sense since it was written by the same guy, Robert D. Siegel (making his directoral debut here). Free fact: Siegel is also the former editor-in-chief of The Onion.
Know what's an incredibly underrated movie? A Bronx Tale. Directed by? Robert DeNiro. Now I'm not asking for or expecting an SI DeNiro or Scorcese. But, how about A Staten Island Tale?

Vincent & Vincent Vs. Robert & Al

Or...D'Onofrio and Gallo vs De Niro

I have had it with Italian American actors. Pacino and DeNiro were great in the 70's into the 80's and then into the 90's...but recently are they even on our radar? I mean we put them on a pedestal and they rose to the occassion...but think how many times they let us down (Meet the Fockers, the Godsend, Showtime, Rocky and Bulwinkle, Revolution, 88 Minutes, Righteous Kill, Simone)...I mean its been dredful for Italian American Icons lately. So I now put my money not on the first tier or even the second tier Italian American actor...I put all my eggs into the 3rd tier...and its better...its safer...

It feels right to watch a film with Vincent D'Onofrio...sure he can be bombastic, and sometimes funny and sometimes scary and sometimes over the top...man, but you watch him...and are those not the same things we watch DeNiro for (ie, Taxi Driver, and Casino, and King of Comedy)...I mean the line "Great Ass" is heard over and over again in my head when I think of Pacino...or Pacino yelling at Philip Seymour Hofman in Scent of a women...man they were great...YES WERE great in caps. I just feel more of a connection to Vincent Gallo's depressive, self loathing in Brown Bunny, Hide and Seek and Buffalo 66, then I do to DeNiro's bullshit in those focking Anylze this bullshit. Its time for the new old wave (D'Onofrio and Gallo are like close to 50 years old at the time of this writting so we dont have long with them)...deep down you know I an right...deep down you love Gomer Pyle, and you love how cool D'Onofrio looked in The Cell and Men in Black...deep down you now as you watch the 10 seconds of background screen time that Gallo has in Goodfellas...you know he could have been big...he could have been huge but Pacino and Deniro kept both of these guys back in the Italian American Minor Leage Double A ball for actors...who I say do we have?...who can fill the void of new young Italian American actors?..."The Situation"?...man its bleak out there...keep looking boys and girls...keep searching for the next wave...dont forget people like D'Onofrio (whose acting in Staten Island tears apart anything DeNiro and Pacino have done collectively in 10 years)...don't forget Vincent Gallo...these are the backbone of Italian American cinema.