Showing posts with label Edward Norton. Show all posts
Showing posts with label Edward Norton. Show all posts

Friday, February 25, 2011

Playlist: Stone


When discussing a prospect in sports, scouts often refer to the player's floor and ceiling. The better the player the higher the ceiling for their potential success. If the player has a health risk or is still very young, their floor is also low, as in there's a good chance they might never even make it. Weighing these risks is the heart of player development and goes a long way to deciding the fate of your favorite franchise.

Average players, the necessary filler guys who allow you to field a full team, are generally low ceiling, high floor. Keep your expectations in check because what you see is what you get. Stone has nothing to do with sports, but I couldn't help feeling that I was watching a film with a low ceiling. It's a small story without much promise of being more than what it presents in its first half. I wasn't in the least bit surprised to discover that it was originally conceived as a play. 

None of which is to say it was bad. Actually, I'm not really sure if it's a plus or a minus in the ultimate Distillery sense of things (not that director John Curran is anywhere near the front of the Big D queue). I admit I lost interest during some of the slower scenes, particularly when it became apparent that nothing "bigger" was going to happen. I do think movies need that extra something. Not a car chase or an explosion, but some bump up in tension. 



The actors, though, are in top form. Robert DeNiro does his best work in a decade, probably since The Score, also not about sports, but also with...Ed Norton, who plays a white trash con trying to get parole. For the record, Ed Norton should not be playing a white trash con, especially one with corn rows. He's just too Ed Nortonish, too smart-looking. But he committed and I stopped being bothered by it by mid-movie (though seeing him in prison made me think of American History X.) Finally, stealing the movie from these two titans is none other than Milla Jovovich, getting the chance to show off some thespianic chops after years of kicking ass on screen. As I've mentioned before, I'm a fan, and not just because she's gorgeous (a word that feels oddly outdated to use, but also seems to fit perfectly). That said, let's just leave it with how it's a shame her nipples didn't receive some sort of Academy recognition this year. Travesty.  

Tuesday, April 13, 2010

Playlist: 25th Hour or Fuck You FX

OK...so I have spring break this week and I have seen a lot of new stuff, hence all the posts. These posts have now controlled me, I usually watch a trilogy, like Lord of the Rings, the Matrix or Star Wars for the spring break, you know revisit something I like (except all of the Matrix sequels...parts were good but....)

So thanks a lot to FX for screwing up a great film. 25th Hour was on a lot of lists as one of the best of this 2000 decade. I generally don't care for Spike Lee, but sign me up for Ed Norton, Barry Pepper, and the great PSH (that's Phillip Seymour Hoffman).

FX ran about 100 minutes of this 148 minute movie...do I need to say more?..yes...it was poorly edited and no curse words...why watch a film on regular TV anymore?...Why did I bother?...I wanted to clear up a space on my Netflix Queue so Fuck You...no Fuck You FX for leaving out the Fuck You scene...fuck you FX for leaving out the Ed Norton walking...and walking and walking..Fuck You for leaving out the restaurant scene with Pepper and PSH...fuck you for leaving out key scenes where we find out how Ed Norton meets up with Rosario Dawson...anyway its a pretty great film...spike lee does his best to Mimic Brian DePalma mimicking Martin Scorsese

The worst casting had to be, let's see...Tony Siragusa as a stupid fat Russian gangster...at least they got the stupid and fat right.

Post 9-11 New York was done great here...no other film has even touched on it, and Spike Lee marries the city with the Ed Norton character brilliantly.